Portfolio, Sample Work Anna Viola Hallberg

Anna Viola Hallberg main website >>>

This video portfolio is being expanded up on. Works added summer of 2026.

WIP: Video installation: “Black Swan – The Question of Continuing.”
Multi channel work with material from: Sweden, Mexico, Japan, Spain.

As you review the works you can see a shift in focus around 2020 prior to that  relate to the tradition of time based art and have a special interest for the transgression between private and public and how art can be a critical tool to revel the tension and/or covert layers in society. The multidisciplinary structure of photography, video, sound and text are used for installations or interventions towards a transformative methodology located in the in-between spaces of art, activism and academic research converging the role of the artist and the curator. The research oriented method situates a select group, which then intervene in a process to dismantle covert topics in social or political contingencies or historic events. The works are often presented in spatial installations interlocked with seminars or workshops. The collaborate process is an important part of my practice. 
(av 2014)

Where as I in ongoing work is leaning more towards new materialism. “My artistic and curatorial practice investigates the relational conditions through which presence, subjectivity, and community are constituted. Engaging with situated communities, the work responds to the social and political contingencies of the public sphere while exploring lens-based and embodied practices as modes of relational inquiry. Drawing on an ethics of reverence, care, and attunement, I examine processes of co-becoming through which bodies, images, technologies, and environments are mutually implicated. My projects seek to create conditions for encounter rather than representation, attending to the ways meaning, agency, and belonging emerge through entangled relations. In doing so, the work addresses existential questions not as individual concerns alone, but as collective and ecological processes of living together.
(av, july 2026)”

The video portfolio only consists of works that has been exhibited or publicly screened The categories are: INSTALLATIONS – SINGLE CHANNEL – PRESENTATIONS/KEYNOTES

INSTALLATIONS

Consequences

Artist: Anna Viola Hallberg

Title: CONSEQUENCES
Trt:
Media: 4k 2 channels (here side by side for convenience)
Location: Indonesia
Performers: Alfianto Ami
Year: 2023
In Exhibition:
Amistad (group) Huerto Rumano, Lorca, Spain, 2025
Becoming Landscape (solo) DasEssZimmer, Bonn, Tyskland, 2023


Typologies of Silence

Artist: Anna Viola Hallberg

Typ

Imperial Differences, CH 2
Spaces, Cleveland, us
Queretaro, Mexico

Recursive Distance
Luleå Konsthall
Dunkers Kulturhus

TYPOLOGIES OF SILENCE (2014) is a work on abstract domestic spheres located in public space. It is set on the boundaries of private and public and explores how this divide connotes migration and addresses an immanent discourses of xenophobia and nationalism. It is a continuation of investigations of contested territories/spheres between public and private, narrative and documentary, the watcher and the watched Hallberg has worked with for more than a decade.

The first sequence TYPOLOGIES OF SILENCE- Out posts, is a series of six works (7 photographs) it touches up on domestic spheres in Oakland (US, 2009), Tver (Russia, 2013) and Stockholm (Sweden, 2014)

Outpost:

Exhibition
Konstnärshuset Stockholm, >>>

The photographic series Typologies of Silence – Outpost explores the domestic: the home in its abstraction. Situated at the threshold between the private and the public, the work examines the gaps between these realms, bringing into focus issues of migration, subletting and shared housing, as well as the unspoken discourses surrounding xenophobia and nationalism. The series continues an inquiry that has engaged Hallberg for more than a decade: making visible and critically examining the ambivalence between the private and the public, the narrative and the documentary, and the observer and the observed.


State of Mind

Artists: Anna Viola Hallberg and A Karlsson Rixon

State of Mind, installation view Museum of World Culture, Gothenburg, 2016

Title: STATE OF MIND
Media: Installation, 11 color photographs (c-prints), seven monitors (sd) and one projection (hd) with sound (stereo).
Duration: 7 x 35 min of interviews, running independently (7 loops), 1 x 30 min backdrop (loop)
Voice: Russian, English, Swedish
Subtitles: English & Russian
Original installation: 65 square meters, black box video installation + wall space for 11 large format photographs.
Production year: 2008 (2006-2008)


We formed a micro institution to produce and tour the work. Select photographs were sold in special edition to help with the funding. We had grants/funding from Swedish Institute, Pro Suecia Foundation etc

As we toured the work we brought prints and open frame monitors. Local lgbtq+ community had to be willing to engage

State of Mind was made under special circumstances we committed to never share the installation material online with the conversations.


Press: Several printed newspapers, art magazines, Swedish National Radio, Television, Online publications, art magazines. Got good publications also in Ukraine and Russia.

Installing in blackbox (blue on outside): 7 video channels (1920×1080) on open frame monitors.
Installing on to blue wall: large format photographs.

State of Mind, installation view Gothenburg Art Museum, Gothenburg, 2008

Installation view, State of Mind, Ygallery, Minsk, Belarus, 2010

EXHIBITED
Museum of World Culture, Gothenburg, Sweden, 2016
Space Taiga, St Petersburg, Russia, 2012
The Worth Ryder Art Gallery, UC Berkeley, Berkeley, CA, USA, 2011
Gallery Fotohof, Saltzburg, Austria, 2011
Moderna Museet, The Moderna Exhibition, Stockholm, Sweden, October 2010 – January 2011 (Discursive version)
Y Gallery for Contemporary Art, Minsk, Belarus, March 2010
The Kharkov Municipal Art Gallery, Kharkiv, Ukraine, July-August 2009
Art Arsenal/Gogol Fest 09, Kiev, Ukraine, September 2009
Gothenburg Art Museum, Sweden, September-November 2008
ROSPHOTO, St Petersburg, Russia, September-October 2008
Kulturhuset Stockholm, Sweden, July-August 2008


Press: Several printed newspapers, art magazines, Swedish National Radio, Television, Online publications, art magazines. Got good publications also in Ukraine and Russia.

Making the Immortal

Artists: Anna Viola Hallberg and Bjorn Perborg together with Bror Kronstrand.

Installation view Making the Immortal 30 photographs (12 of them double sided flip-frames), 4 carousel slideshow sculptures, one projection sculpture, 2 prints as text based works and one essay film (9 min).

What are the conditions for an artist in todays art scene is reflected up on via the late artist Mr Bror Kronstrand (SE) 1875-1950). The entire film is made by private stills an photographs left behind by the now forgotten portrait artist. During his time he was a successful art entrepreneur but perhaps the approach made him less remembered in our time. The essay film follows some of the adventures of Kronstrand as well as portrays him as an artist seen via contemporary questions of the art market.

The project explores humanity’s vain pursuit of immortality through remembrance—the desire to be remembered. Drawing on the archived photographs, film footage, letters, and documents of the now-forgotten painter Bror Kronstrand (1875–1950), Hallberg and Perborg question the mechanisms of canonization, the writing of history, and the construction of myth. At the heart of the exhibition lies the paradox that Kronstrand was quickly forgotten despite all his efforts to gain recognition and secure his legacy. The exhibition also touches on issues of copyright, the boundary between the private and the public, and contemporary cultural policy’s tendency to define the artist primarily as an entrepreneur.

The exhibition should be understood as an installation, although the individual works retain their autonomy. The collaboration between the three was the effect of discovery of a Bror Kronstrand collection the local library and museum in Mariestad. During the summer of 2011 research began and in 2013 Hallberg and Perborg went to a medium to reach out to Bror Kronstrand in order to add his aesthetics and bizarre humor to the work.

Thee installation was shown in full in Gothenburg. The artists arranged a pink limousine to bring people from Mariestad to see the exhibition at Konstepedemin (Former Epidemic hospital) The film premiered at Gothenburg International Film Festival (GIFF).
Photos and films left behind by the now forgotten portrait artist Bror Kronstrand form the basis for a rumination on how posterity will remember us, and about the conditions of the artist then and now. Entertaining, well done and thought-provoking Sara Wadell, GIFF

Exhibitions
Full installation at Konstepedemin, Gothenburg, oct-nov 2013 >>>
Partial installation at Supermarket Art Fair Gothenburg

Screenings Making The Immortal
Gothenburg Film Festival,
Uppsala Short Film Festival

Screening The Balcony
Konstepedemins outdoor projection site, Gothenburg

With support from:
Pronto, Gothenburg City 2013, Kulturbryggan 2013

Title: Making the Immortal (essay film) 
Series: Making the Immortal 
Trt: 9 min
Format: HD, stereo, b/w (based on footage and photographs from B. Kronstrand
Artists: Anna Viola Hallberg & Bjorn Perborg with Bror Kronstrand (1875-1950)


Installation view, essay film Making The Immortal, Konstepedemin, Goteborg

Making the Immortal is part of a project on a Swedish painter: Bror Kronstrand (1875-1950). He was a portrait painter and globetrotter. The installation is based upon Kronstrand’s private photographs, documents, and 16 and 35 mm film that have been found in the archives. The work also generated the essay film En handelsresande i evigt liv (Eng. title: Making the Immortal), highlighting aspects of the public interest for Kronstrand and his own approach to celebrity. This is set within the context with contemporary production conditions for artists and policies of the state cultural agenda. Prior to starting with the esay film Hallberg and Perborg facillitated a pshycic to get in contact with Kronstrand. The research on Kronstrand was initiated in 2011 during a visit to Mariestad, the birth town of the deceased artist.


Title: Balcony 
Series: Making the Immortal 
Trt: 1.51 min
Format: From 16 mm, HD, silent, b/w (based on footage from B. Kronstrand
Artists: Anna Viola Hallberg & Bjorn Perborg with Bror Kronstrand (1875-1950)


SINGLE CHANNEL

Touching Time

Artists: Anna Viola Hallberg and Oona Hyland (ir/pt)

Title: TOUCHING TIME
Duration: 3 min
Media: Single channel, color, sound with narrator., 4k.
Year: 2021

Film by Anna Viola Hallberg (recoded in BKN Studio 28, April 2021)  based on an installation (Traced inside of bark) and working notes from Oona Hyland. Voice Oona Hyland. Camera, editing and video concept Anna Viola Hallberg.

Framework: During her residency stay at Björkö Konstnod/BKN, 2021 Oona Hyland worked on two projects; a film scrip on the orphans in Northern Irland and a frottage from the inside of tree bark, for a public installation. Hallberg selected from Hylands notebook and with a fluid camera she moved about in the installation and a third work was perceived. Hallberg took parts of Hylands notes and with an associative editing she combined the two works in to a third Touching Time.. The work transgress in to a minimalistic video about human encounters, trauma, legacy and memory.

Exhibitions

Suwon International Art Project ONSAEMIRO, South Korea, 2022
International Art Biennale Artisterium 15 in the Georgian National Gallery, Tbilisi 2022 
Lab Gallery Dublin, Ireland, 2021
Supermarket Art Fair, Stockholm, 2021
Art Trail, Björkö Konstnod, Björkö 2021




State of Mind – Epilogue

Artists: Anna Viola Hallberg and A Karlsson Rixon

Title: State of Mind – Epilogue
Trt:
Media:
Location:
Year:
In Exhibition:

Videostill, State of Mind Prologue
Screened at Gallerian during Europride, Stockholm, 2008
Screened at Swedish Consulate, Saint Petersburg, 2008

State of Mind – Prologue

Artists: Anna Viola Hallberg and A Karlsson Rixon

Videostill, State of Mind Prologue
Screened at Gallerian during Europride, Stockholm, 2008
Screened at Swedish Consulate, Saint Petersburg, 2008


Street Art

Consolation, commissioned


Presentations/Keynotes

SPACES

The Museum Reader – Anna Viola Hallberg, Portugal >>>

Anna Viola Hallberg main website >>>